Famous scientists from the Australian punk garage maintain strong scud rock with negativity.
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It’s a common misconception that real dirty rock’n’roll died in the early ’80s after being blanketed in a new wave of closed reverbs, drum machines, keeters, new romantic vocals and their brilliant commercial sounds. In fact, loud rock and garage punk thrived underground around this time, thanks to the mud of Jesus & Mary Chain, Butthole Surfers, Loops, Dwarves and Australian Cave Dwellers. the scientistIts frontman and guitarist Kim Salmon formed a loud and dark post-punk band in 1978, after which he made a few stints in the murderous and heavy alternative rock band Beast of Bourbon. It was. Until this year, scientists had released two albums (and a few mini-albums, EPs and singles), leaving a dark stain on rock history. NumeroGroup celebrated with a set and re-released in 2016. Soon after, the band resumed recording and touring new EPs. This author was very lucky to be able to see his EP. Incendiary performance in the East room in 2018, Completely killed the cover of Jacques Dutron’s “Mini-Mini-Mini”.
Despite the fact that the band members currently live in two different countries, scientists have finally created a suitable third album. Negative.. Lead guitarist Tony Thewlis sent the riff from London to Salmon, Australia, and fleshed out the riff with bassist Boris Sujdovic (also a founding member) and drummer Leanne Cowie (who first joined the band in 1985). did. The fuzz bomb placed on the opening track âOutsiderâ consolidates the group’s mission. âMake It Go Awayâ and âNaysayerâ combine rhythmic scuds with the sinister half-spoken voice of salmon to create hairs of similar strength. The dangerous “Seventeen” and the ironic “The Science of Suave” are closest to the vintage sounds of scientists. A dirty, mutant surflick saturated with Stooges reverb and blasters, like contemporary ’80s Gun Club and Pussy Galore. With catchy choruses, catchy drums and soothing backing vocals, “I Wasn’t Good Enough” may have – to be a radio hit, but it’s probably the first generation, like Jayne County and Johnny Thunders. It was a strange dimension in which the punk of the song formed the basis. Instead of taking it apart, it’s classic rock. The band play a slow-burning ‘Moth-Eaten Velvet’, a piano by salmon’s daughter Emma, ââa trumpet by producer Myles Mumford, and a tribute and melodic curveball to the Velvet Underground with a string section at full tilt. The track would have approximated an excellent, elegant album, but instead of bowing gracefully, the scientists experimented with irreverence, with lyrics mostly composed of “C’mon let’s boogie / Out here”. Log out on âOuter Space Boogieâ. In the space. “I don’t know you, but the world feels like you can have a lot more influence over the universe – and scientists put you in muddy ’80s moon boots. I could take you there.” v
Famous scientists from the Australian punk garage maintain strong scud rock with negativity.
Famous scientists from the Australian punk garage maintain strong scud rock with negativity.
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